Every day is opening night.

National Press Contact:
Rick Miramontez / Aaron Meier
rick@omdkc.com / aaron@omdkc.com
212 695 7400

FOR IMMEDIATE RELEASE, PLEASE 

BREAKING: CHRISTMAS IS NOT CANCELLED!
“GOD BLESS US EVERYONE!” EXCLAIMS LOCAL BOY

TONY AWARD^® WINNER
JEFFERSON MAYS
REPRISES HIS ACCLAIMED PERFORMANCE
IN CHARLES DICKENS’ BELOVED HOLIDAY CLASSIC
“A CHRISTMAS CAROL”
TO BENEFIT COMMUNITY, AMATEUR, AND REGIONAL THEATERS
FROM COAST TO COAST

DIRECTED BY TWO-TIME TONY AWARD NOMINEE
MICHAEL ARDEN

ADAPTATION WRITTEN BY
JEFFERSON MAYS, SUSAN LYONS, & MICHAEL ARDEN

PRODUCTION CONCEIVED BY
MICHAEL ARDEN & DANE LAFFREY

STREAMING RELEASE AVAILABLE
SATURDAY, NOVEMBER 28
WITH PROCEEDS BEING DONATED
TO COMMUNITY & REGIONAL THEATERS
IMPACTED BY THE COVID-19 CRISIS

TICKETS AVAILABLE NOW
AT WWW.ACHRISTMASCAROLLIVE.COM 

New York, NY (October 27, 2020) – Producer Hunter Arnold unofficially kicked off the holiday season early today, announcing that a special filmed version of Charles Dickens’ beloved holiday classic A Christmas Carol starring one of the finest stage actors of our time, Tony Award^® winner Jefferson Mays, will be released worldwide on Saturday, November 28. This streaming video event will benefit partner theaters all around the United States that have been devastated by the pandemic. Directed by two-time Tony Award nominee Michael Arden, adapted by Mays, Susan Lyons, and Arden, and conceived by Arden and Tony Award nominee Dane Laffrey, the filmed version is based on the wildly acclaimed 2018 production which made its world premiere at Los Angeles’ Geffen Playhouse.

Production photos of the Geffen Playhouse production by photographer Chris Whitaker are available at https://www.dropbox.com/sh/7blu5zuvgc9umyh/AABs4ZHSL9-FMwXl0TwtKPYOa?dl=0

Jefferson Mays said, “A Christmas Carol was my first experience of living theater. My mother and father would read it out loud every year. My father would tell the story with clarity and humanity, while my mother, eyes ablaze, would transform into the characters, from the tortured Jacob Marley, to little Fan and the entire Cratchit family. Both, in their ways, created magic. And now here we are, aspiring to bring this magic to people across the country during this challenging time.”

Michael Arden said, “My theater career began when I was a 10-year-old Texan playing Tiny Tim in the Midland Community Theatre production of A Christmas Carol. In a time when theaters and arts workers across the country are in great need, bringing a story that celebrates the power of creativity, community, and our shared humanity is humbling.”

The beneficiaries of this event – partner community, amateur, and regional theaters that have been hard-hit by the COVID-19 crisis – will be provided materials that will allow them to market A Christmas Carol directly to their subscribers and single ticket buyers. Proceeds from ticket sales will be distributed accordingly, providing crucial funding during theater’s darkest hour.

Hunter Arnold said, “Due to COVID-19, the country’s theaters have lost over 80% of their income, a number that is devastating to our community. These theaters, the work they produce, and the artists and workers they support are a fundamental part of our society. We must fight for their survival.”

The partner theater program is a joint project between Arnold’s TBD Pictures, La Jolla Playhouse, and On The Stage. In addition to La Jolla Playhouse, other partner theaters currently include La Jolla Playhouse, Actors’ Playhouse, Geffen Playhouse, George Street Playhouse, Iowa Stage Theatre Company, Sankofa Collective, South Coast Repertory, Shea’s Performing Arts Center, Springfield Contemporary Theatre, Theatre Tallahassee, and Vermont Stage with more to be announced in the coming weeks. Theaters interested in joining this partnership can email acc@tbdtheatricals.com.

Starting today, tickets for A Christmas Carol are now available to purchase via www.achristmascarollive.com. Tickets purchased via the A Christmas Carol website will automatically benefit local community theaters based on ZIP code. Proceeds from tickets purchased outside of the U.S. or non-affiliated ZIP will be divided and shared with the partner theaters.

A Christmas Carol was filmed at New York’s United Palace, chosen to preserve the power of the theatrical storytelling Mays and Arden have created.

When it played the Geffen Playhouse in 2018, A Christmas Carol and was called “a stunning adaptation” by Jordan Riefe of The Hollywood Reporter, and “a tour-de-force performance by Jefferson Mays. Every bit of theater magic you can think of. You’ll find yourself transported – hanging on to every word and relishing every last image” by Anthony Byrnes of KCRW.

Charles McNulty of the Los Angeles Times raved that “Jefferson Mays not only got me to see A Christmas Carol, something I’ve vowed never to do again. But he got me to rave about it. For true theater lovers, there can be no better gift this season.”

Experience A Christmas Carol unlike any other – past, present or future. The timeless tale of Ebenezer Scrooge comes to thrilling new life as Jefferson Mays plays over 50 roles in a virtuosic, master class of a performance that must be seen to be believed. This theatrical achievement comes from the haunting vision of one of Broadway’s most imaginative directors, Michael Arden.

Staged exclusively for this film and captured live with breathtaking clarity, this must-watch streaming event conjures the powerful spirits of Christmas and brings all the magic of live theatre home for the holidays.

The creative team for A Christmas Carol includes Dane Laffrey (scenic and costume design), Maceo Bishop (director of photography), Ben Stanton (lighting design), Lucy Mackinnon (projection design), Joshua D. Reid (sound design), Cookie Jordan (hair and makeup design), James Ortiz (puppet design), and Nikki M. James (assistant director).

A Christmas Carol is produced by Hunter Arnold with George Bamber, Kayla Greenspan, Carl Daikeler, Roberto Quiroz Mata, and Tom Kirdahy serving as Executive Producers for the film.

BIOGRAPHIES

Jefferson Mays (Performer, Adaptor) has appeared at Geffen Playhouse in I Am My Own Wife and Yes, Prime Minister!. Broadway credits are Oslo, A Gentleman’s Guide to Love and Murder, The Best Man, I Am My Own Wife, Pygmalion, Journey’s End and Of Thee I Sing. Off-Broadway, he has performed in Measure for Measure, Lydie Breeze, Quills and many more. Regional credits include My Fair Lady, Rosencrantz & Guildenstern Are Dead, The Importance of Being Earnest, The Cherry Orchard, Tartuffe, Twelfth Night, Macbeth, Hamlet, The Winter’s Tale and Peter Pan. Film and television credits include “Perry Mason,” “Westworld,” “The Blacklist,” Joel Cohen’s Macbeth, “I Am The Night,” the Coen Brothers’ The Ballad of Buster Scruggs, Inherent Vice, Rebel in the Rye, I am Michael, The Notorious Bettie Page, “The Unbreakable Kimmy Schmidt,” “The Americans,” “Mildred Pierce,” “Law & Order: SVU,” “Nurse Jackie,” “The Closer,” and “Dolley Madison.” Awards include Tony, Lucille Lortel, Drama Desks, Obies, Outer Critic’s Circle, Helen Hayes, Elliot Norton, Theatre World, Drama League, Jefferson, Dramalogue, and Helpmann. Mays received his B.A. from Yale College and an M.F.A. from University of California, San Diego. He is married to Susan Lyons.

Susan Lyons (Adaptor). After graduating from Australia’s National Institute of Dramatic Art, Susan worked extensively in theater, film, television and radio, playing a wide range of leading roles with all the major companies. She was awarded the Marten Bequest in 1993. Married to Jefferson Mays, she directed him in the national and international tours of I Am My Own Wife.

Michael Arden (Adaptor, Director) began his theater career at age ten playing Tiny Tim in the Midland Community Theatre’s production of A Christmas Carol in Midland, Texas. He is humbled to be working with the singular Jefferson Mays and all the incredible artists and technicians – including his longtime friend and collaborator Dane Laffrey – on this reimagining of Charles Dickens’ masterpiece. Past directing credits include Deaf West Theatre’s Spring Awakening (Tony nomination), Once on This Island (Tony nomination and the 2018 winner of Best Revival of a Musical), American Dream Study (with The Forest of Arden), Maybe Happy Ending, Joseph… at Lincoln Center, The Pride, Merrily We Roll Along, My Fair Lady, and Annie at the Hollywood Bowl. Arden is a regular director for “The Conners” on ABC and will direct the upcoming feature Book of Ruth starring Ruth Wilson and Matt Bomer. He is the Founder and a company member of The Forest of Arden, a collective of artists who create site-specific, immersive, and inclusive new forms of theater. He hopes Scrooge’s visitations might inspire us all to lead more empathetic and benevolent lives. God bless us, everyone! Follow @michaelarden and @forestofardenco

Hunter Arnold (Producer) is a Tony and Olivier Award-winning producer. Select Broadway & West End: Hadestown (Tony Award); The Inheritance (Olivier Award and Tony nomination); Once on This Island (Tony Award); Dear Evan Hansen (Tony Award); Kinky Boots (Tony Award and Olivier Award); Deaf West Theatre’s Spring Awakening (Tony nomination); The Visit (Tony nomination); Mothers and Sons (Tony nomination); Moulin Rouge! (Tony nomination); Frankie and Johnny in the Clair de Lune (Tony nomination); Tina—The Musical (Tony nomination);  Betrayal (Tony nomination); Anastasia; Pretty Woman; The Jungle; The Goat, Or Who Is Sylvia?; Disaster!; It’s Only a Play; The Bridges of Madison County. Off-Broadway: Little Shop of Horrors (Drama Desk Award and Drama League Award).

In addition to his producing projects, Arnold is the founder of ARTech Holdings, LLC, an incubator and holding company focused on generating technologies to support the live arts community. Amongst ARTech’s offerings is the premier theatrical ticketing and web presence software for schools and small theatre companies, www.onthestage.com. Arnold is also a General Partner with the Broadway Strategic Return Fund, the first focused, vertically-integrated, profit-driven evergreen hedge fund for accredited investors to capture exceptional returns from investments in Broadway musicals and plays. He earned his bachelor’s degree in Entrepreneurial Business from DePaul University and his Master’s in Business Administration from TRIUM, a joint program representing NYU Stern School of Business, H.E.C. Paris and the London School of Economics. He is a frequent lecturer and guest professor on Entertainment Trends and Economics, Commercial Theatre and Working in The Arts

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