Every day is opening night.

RAÚL ESPARZA, ALICE RIPLEY, DENEÉ BENTON, AND MORE ANNOUNCED FOR VASSAR & NEW YORK STAGE AND FILM’S 2018 POWERHOUSE SEASON

Press Contact:
Rick Miramontez / Michael Jorgensen / Aaron Meier
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212 695 7400

FOR IMMEDIATE RELEASE, PLEASE

SECOND WAVE OF CASTING ANNOUNCED FOR
VASSAR & NEW YORK STAGE AND FILM’S

2018 POWERHOUSE SEASON

ACTORS INCLUDE
RAÚL ESPARZA, ALICE RIPLEY, DENEÉ BENTON,
LAUREN WORSHAM, ALEX BRIGHTMAN, NOAH GALVIN, FRANKIE J. ALVAREZ, LESLI MARGHERITA, MICHAEL ESPER, CARSON ELROD, AND MANY MORE

New York, NY (June 19, 2018) – Vassar & New York Stage and Film have announced the next wave of casting for the highly anticipated 34th Powerhouse Season in Poughkeepsie, NY, which starts this Friday, June 22 and runs through Sunday, July 29. Actors joining the annual summer play development incubator include Tony Award® nominee Raúl Esparza, Tony Award winner Alice Ripley, Tony Award nominee Deneé Benton, Tony Award nominee Lauren Worsham, Tony Award nominee Alex Brightman, Noah Galvin, Frankie J. Alvarez, Lesli Margherita, Michael Esper, and Carson Elrod. For tickets and more information on the season, visit powerhouse.vassar.edu/season/

The mainstage production of The Waves, the musical adapted from the novel by Virginia Woolf with book by Lisa Peterson, music and lyrics by David Bucknam, additional music by Adam Gwon, and direction by Ms. Peterson will feature Raúl Esparza who also serves as creative consultant for the production, Ken Barnett, Eleasha Gamble, Douglas Lyons, Alice Ripley, and Lauren Worsham. The Waves will play Thursday, July 19 through Sunday, July 29 at the Powerhouse Theater.

Six childhood friends and their shifting relationships come vibrantly to life in this captivating chamber musical inspired by Virginia Woolf’s celebrated novel. Over the course of one day – or is it a lifetime? – The Waves illuminates the interior yearnings, ambitions, and defeats of these extraordinary individuals with stirring choral music and Woolf’s signature text. Writer and director Lisa Peterson (An Iliad) and composer Adam Gwon (Ordinary Days) revisit and reimagine Bucknam and Peterson’s lush and layered musical, which premiered Off-Broadway over thirty years ago.

The workshop presentation of Alice By Heart, the new musical with book by Steven Sater and Jessie Nelson, music by Duncan Sheik, lyrics by Mr. Sater, and directed by Ms. Nelson will star Alex Brightman, Noah Galvin, Molly Gordon, Megan Masako Haley, Zachary Infante, Gizel Jiménez, J. Quinton Johnson, Lesli Margherita, Heath Saunders, and Don Stephenson. Alice By Heart will play Thursday, July 5 through Saturday, July 7 at the Martel Theater.

When the madness of the world is too much to bear, we take refuge in the stories we love. In the rubble of the London Blitz, Alice Spencer’s budding teen life is turned upside down, and she escapes with her childhood friend Alfred into their most cherished book. They journey down the rabbit hole to Wonderland, finding first love, loss, and the courage to move forward, and their imaginations transform even the harshest circumstances. Tony and Grammy® Award-winning creators of Spring Awakening, Steven Sater and Duncan Sheik, reunite for their new musical inspired by Alice’s Adventures in Wonderland, directed and co-written by Jessie Nelson (Waitress).

Casting for Readings Festival #1, which runs Friday, June 22 through Sunday, June 24 will feature:

Playwright Halley Feiffer will appear in the reading of her new play The Pain of My Belligerence (June 22 at 8 PM) under the direction of Trip Cullman. The reading will also feature Michael Esper, Vanessa Kai, and Amaya Press.

Casting for Lick O’The Knife (June 23 at 2 PM) by Jackie Roberts, directed by Kent Gash will include McKinley Belcher, Carson Elrod, Walker Jones, Carolyn Michelle Smith, J.D. Mollison, and Christina Pumeriega.

On That Day in Amsterdam (June 23 at 8 PM) by Clarence Coo, directed by Kareem Fahmy will star Frankie J. Alvarez, Julian Cihi, James Cusati-Moyer, Rocky Vega, and Justin Walker White.

The new play Milk and Honey (June 24 at 2 PM) by rupi kaur, based on her best-selling book of poetry, directed by Leah C. Gardiner will include Dahlia Azama, Denée Benton, Mahira Kakkar, Susannah Perkins, and Nadine Malouf.

The Hole (June 24 at 8 PM), by Sarah Gancher, directed by Danya Taymor will feature Betsy Aidem, Brittany Allen, Heidi Armbruster, Marc Bovino, Jacob Faunce, Joel Marsh Garland, and Andy Grotelueschen.

Casting for The Connector, Little Orphan Danny, Cowboy Bob, India Pale Ale, Our Country, Readings Festival #2 and more will be announced shortly. Casting for Vassar & New York Stage and Film’s Powerhouse Theater is by Telsey + Company.

As previously announced, Radio Island, the new play by Liza Birkenmeier, directed by Jaki Bradley, will star Pascale Armand, Adina Verson, Maryann Plunkett, Stephen Tyrone Williams, Kelly AuCoin, and Birgit Huppuch. The production will play Thursday, June 28 through Sunday, July 8 at the Powerhouse Theater. The creative team includes Daniel Zimmerman (set design), Tilly Grimes (costume design), Bradley King (lighting design), and Broken Chord (sound design).

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Vassar & New York Stage and Film’s Powerhouse collaboration continues to be the launching pad for some of the most groundbreaking new works for the American theater, with countless productions in New York City, regionally and internationally. Notably, Lin-Manuel Miranda’s Hamilton and Stephen Karam’s The Humansthe 2016 Tony® winners for Best Musical and Best Play, respectively – received early development at Powerhouse, and Powerhouse presented first-look productions of two daring new works that were named finalists for the 2017 Pulitzer Prize for Drama: Sarah DeLappe’s The Wolves, which moved directly from its Powerhouse premiere to recent celebrated runs at The Playwrights Realm and Lincoln Center Theater in NYC; and Taylor Mac’s A 24-Decade History of Popular Music, which is currently on an international tour. Among 30 other projects developed recently at Powerhouse with new or upcoming major productions: Amy and the Orphans Off-Broadway at the Roundabout Theatre Company; Head Over Heels, the new Go-Go’s musical at San Francisco’s Curran and Broadway; Lucy Thurber’s play Transfers at MCC Theater; the Stephen Trask, Peter Yanowitz, Rick Elice musical This Ain’t No Disco at Atlantic Theater Company, Ngozi Anyanwu’s The Homecoming Queen, and Lauren Yee’s The Great Leap at Atlantic Theater Company; and the David Bryan, Joe DiPietro musical Diana at La Jolla Playhouse.

The complete upcoming 34th Powerhouse Season will feature the mainstage productions of Radio Island and The Waves at the Powerhouse Theater:

Radio Island (June 28 – July 8)
by Liza Birkenmeier
directed by Jaki Bradley

Ellen is an expert hostage negotiator facing her biggest challenges yet. In this high-stakes thriller, she works from her rural childhood home to free an oil tanker from pirates – while also balancing her injured mother’s rehab, salvaging her crumbling love life, and tracking down a mysterious visitor from her troubled past. Home life and international crisis converge in this inventive new play from Liza Birkenmeier, directed by Jaki Bradley (Good Men Wanted, 2017 Powerhouse mainstage production).

The Waves (July 19 – July 29)
adapted from the novel by Virginia Woolf
book by Lisa Peterson
music and lyrics by David Bucknam
with additional music by Adam Gwon
directed by Lisa Peterson
creative consultant, Raúl Esparza

Six childhood friends and their shifting relationships come vibrantly to life in this captivating chamber musical inspired by Virginia Woolf’s celebrated novel. Over the course of one day – or is it a lifetime? – The Waves illuminates the interior yearnings, ambitions, and defeats of these extraordinary individuals with stirring choral music and Woolf’s signature text. Writer/director Lisa Peterson (An Iliad) and composer Adam Gwon (Ordinary Days) revisit and reimagine Bucknam and Peterson’s lush and layered musical, which premiered off-Broadway over thirty years ago.

The musical workshop presentations, presented in the Vogelstein Center for Drama & Film and the Susan Stein Shiva Theater, will include four exciting new projects:

Alice By Heart (July 5-7)
book by Steven Sater and Jessie Nelson
music by Duncan Sheik
lyrics by Steven Sater
directed by Jessie Nelson

When the madness of the world is too much to bear, we take refuge in the stories we love. In the rubble of the London Blitz, Alice Spencer’s budding teen life is turned upside down and she escapes with her childhood friend Alfred into their most cherished book. They journey down the rabbit hole to Wonderland, finding first love, loss, and the courage to move forward, and their imaginations transform even the harshest circumstances. Tony® and Grammy® Award-winning creators of Spring Awakening, Steven Sater and Duncan Sheik, reunite for their new musical inspired by Alice’s Adventures in Wonderland, directed and co-written by Jessie Nelson (Waitress).

The Connector (July 13-15)
music and lyrics by Jason Robert Brown
book by Jonathan Marc Sherman
directed by Daisy Prince

How true is true enough? New York City, 1995. Aspiring writer Ethan Dobson has his first article published by The Connector, a magazine with a storied history. As Ethan strives to be part of the magazine’s legacy, he navigates editors with god complexes, fact checkers with vendettas, proofreaders, lawyers, and the challenges of his own history. In this new musical, playwright Jonathan Marc Sherman (Women and Wallace), composer-lyricist Jason Robert Brown (The Bridges of Madison County) and director Daisy Prince (The Last Five Years) tell a story about telling stories. What is the difference between facts and truth? And what is the difference between journalism and entertainment? What happens when a gifted storyteller’s stories begin falling apart? And can anyone stop him?

Little Orphan Danny (July 25-28)
book, lyrics, and music by Dan Finnerty
created by Dan Finnerty and Sean Daniels
additional music by Dan Lipton
directed by Sean Daniels

The hilarious and candid musical memoir of The Dan Band’s frontman Dan Finnerty: Growing up a small-town altar boy in a nice conservative family doesn’t always suit our adopted protagonist. Childhood outbursts of blasphemy in church only lead to pathetic adolescent attempts at playing sports. But of the many lessons he’ll learn, none could prepare him to navigate the road ahead after the fateful day he and his mother meet the woman who gave birth to him. An irreverent-yet-tender story of an adopted boy and the women who made him.

Cowboy Bob (July 27-29)
created by Molly Beach Murphy, Jeanna Phillips, and Annie Tippe
music and lyrics by Jeanna Phillips
book and additional lyrics by Molly Beach Murphy
additional music by Alex Thrailkill
directed by Annie Tippe

Peggy was a good neighbor, a good daughter, and a great bank robber. Disguised as a man in a fake beard and a ten-gallon hat, “Cowboy Bob” evaded detection for more than a decade. In a score that’s equal parts Riot Grrrl rage and Texas two-step, the small-town legend inspires an assortment of competing wannabe rebels to claim her story as their own.

This summer’s ‘Inside Look’ Workshops to be presented in the Susan Stein Shiva Theater are:

India Pale Ale (July 6-8)
by Jaclyn Backhaus
directed by Will Davis

In a small Wisconsin town, a tight-knit Punjabi community gathers to celebrate the engagement of a traditional family’s only son, just as their strong-willed daughter announces her plans to move away and open a bar. One generation’s cherished customs clash with another’s modern-day aspirations and ancestors from the family’s past haunt the present day when one sudden event changes everything. This poignant and smartly funny new play about legacy, life and pirates comes from the fresh voice of Jaclyn Backhaus (author of the award-winning Men on Boats), who teams up with director Will Davis (The Great Leap, 2017 Powerhouse Inside Look workshop).

Our Country (July 13-15)
conceived by Annie Saunders and Becca Wolff
direction and dramaturgy by Becca Wolff
additional dramaturgy and original writing by Annie Saunders
additional devising by The Company

“Who do you think decides what is a big deal and what isn’t?” Inspired by Sophocles’ Antigone and origin stories from the American frontier, Our Country is set in California’s marijuana country, our still-Wild West. Based on recorded conversations between Annie Saunders and her younger brother, and steeped in childhood memories and mythologies from Ancient Greece, this autobiographical creation recalls a time when we were young — as siblings, as a nation, as a democratic system.

The annual Readings Festival, split between two weekends (June 22-24 and July 20-22), will include: On That Day in Amsterdam by Clarence Coo; The Pain of My Belligerence by Halley Feiffer; The Hole by Sarah Gancher, Milk and Honey by rupi kaur; The North Star by Donja R. Love; The Purists by Dan McCabe; The Dizziness of Freedom by Stephen Nathan; Melissa R. and Dorothy Sue, book by Geoffrey Nauffts, music and lyrics by Jonatha Brooke; and Lick O’The Knife by Jackie Roberts.

Members of the noted Powerhouse Theater Training Program will present William Shakespeare’s Measure for Measure (July 13-15) adapted and directed by Andrew Willis-Woodward and As You Like It (July 20-22) adapted and directed by Doug Paulson, both at the Environmental Cooperative at the Vassar Barns. Members of the Training Company will present I’m Trying to Tell You Something Important (July 5, 12, 19, 26), composed and directed by Max Reuben, at the Frances Lehman Loeb Art Center; as well as Workshop Performances of Ovid’s Metamorphoses (July 22-23), adapted and directed by Elizabeth Hess, One Act Plays Festival (July 25); and Not, Not, Not, Not, Not Enough Oxygen (July 27) by Caryl Churchill. Young actors, playwrights, and directors from around the country and internationally, along with an exceptional faculty of artists, comprise this important component of the Powerhouse artistic community. For updated Training Company production and workshop information, please visit powerhouse.vassar.edu/season/#training-company.

New York Stage and Film (Johanna Pfaelzer, Artistic Director; Thomas Pearson, Executive Director; Mark Linn-Baker, Max Mayer, Leslie Urdang, Producing Directors) is a not-for-profit company dedicated to both emerging and established artists in the development of new works for theater and film. Since 1985 New York Stage and Film has played a significant role in the development of new plays, provided a home for a diverse group of artists free from critical and commercial pressures, and established itself as a vital cultural institution for residents of the Hudson Valley and the New York metropolitan region www.newyorkstageandfilm.org

Vassar College (Ed Cheetham, Michael Sheehan, Producing Directors) is a highly selective, coeducational, independent, residential, liberal arts college founded in 1861. Consistently ranked as one of the country’s best liberal arts colleges, Vassar is renowned for its long history of curricular innovation, and for the natural and architectural beauty of its campus. More than 50 academic departments and degree programs — from Anthropology to Cognitive Sciences to Urban Studies — encompass the arts, foreign languages, natural sciences, and social sciences, and combine to offer a curriculum of more than 1,000 courses.  Vassar College is sited in New York’s beautiful Hudson Valley in Poughkeepsie, NY.  www.vassar.edu

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