THE ACTORS FUND ANNOUNCES “RAGTIME” MEMBERSHIP TICKETING INFO PLUS PETER FRIEDMAN JOINS CAST FOR BENEFIT CONCERT- MON, 4/27
FOR IMMEDIATE RELEASE, PLEASE
MEMBERS OF THE ACTORS FUND WILL RECEIVE EARLY ACCESS TO PURCHASE TICKETS TO THE ONE-NIGHT ONLY CONCERT
OF THE MUSICAL SENSATION
RETURNING TO BROADWAY TO BENEFIT
THE ACTORS FUND
WITH ORIGINAL BROADWAY STARS
BRIAN STOKES MITCHELL &
MONDAY, APRIL 27, 2020 AT 7 P.M.
AT THE MINSKOFF THEATRE
DEDICATED TO MARIN MAZZIE
New York, NY (January 16, 2020) – The Actors Fund announced today that members of The Fund will have early access to purchase tickets ahead of the general public to the one-night only benefit concert. The unforgettable music of the Tony Award®-winning sensation Ragtime will once again be heard on Broadway in a one-night only benefit concert on Monday, April 27, 2020, at 7 p.m. at the Minskoff Theatre (200 West 45th St.). This celebratory event will star original cast members, including six-time Tony Award winner Audra McDonald (“Sarah”), two-time Tony Award winner Brian Stokes Mitchell (“Coalhouse Walker, Jr.”) and Peter Friedman (“Tateh”). Further casting will be announced at a later date. All proceeds from this one-night only benefit concert will support The Actors Fund.
Members of The Actors Fund will be invited to purchase tickets during an exclusive member pre-sale period. To gain early access to purchase tickets, visit actorsfund.org/RagtimeMembership or call 212.221.7300 ext. 271 to join as a member by January 20 at 5 pm ET. Ticket prices will start at $150, with premium seating starting at $500. Any tickets that remain after the member pre-sale will go on sale to the public in early February at actorsfund.org/Ragtime.
Based on the classic American novel by E.L. Doctorow, Ragtime has a book by Terrence McNally (Master Class, Love! Valour! Compassion!) and a score by Lynn Ahrens and Stephen Flaherty (Once On This Island, Anastasia, Seussical). The evening will be directed by Stafford Arima, with David Loud as Music Supervisor and James Moore as Music Director and Conductor. On the original Broadway production, Mr. Arima served as Associate Resident Director, Mr. Loud as Musical Director and Conductor, and Mr. Moore as Associate Conductor.
“Our community was heartbroken at the loss of one of Broadway’s great stars, my good friend and original Ragtime cast member Marin Mazzie,” said Actors Fund Chairman Brian Stokes Mitchell. “Marin’s courage and grace inspired everyone who knew her as well as her countless fans and generations of theater professionals. She was a true original and our cast, creative team and The Actors Fund are proud to dedicate this evening to her memory.” Mazzie received one of her three Tony Award nominations for her portrayal of “Mother” in the original 1998 production. She also was posthumously awarded a 2019 Special Tony Award in recognition of her advocacy and leadership within the theater community as a brave and dedicated voice for women’s health issues and organizations.
“Ragtime is a quintessential American story—it’s about the struggles of immigrants seeking a better life in America, it’s about the reality of racism in our society, and it’s about income inequality, juxtaposing these struggles against the incredible wealth of the 1 percent,” said Actors Fund CEO Joe Benincasa. “Although the story takes place a hundred years ago, the issues it presents are relevant in today’s society and the current civil discourse. We’re honored that Stokes, Audra, Lynn, Stephen, Terrence and so many in this original cast are bringing back this beloved musical to help The Fund continue our ongoing work of providing a supportive safety net to everyone in the performing arts and entertainment in times of need.”
The original production of Ragtime opened on January 18, 1998, at the Ford Center for the Performing Arts (now the Lyric Theatre) and played for 834 performances. The show received 14 Tony Award nominations and won for Best Book of a Musical (Terrence McNally), Best Original Score (Stephen Flaherty and Lynn Ahrens), Best Featured Actress in a Musical (Audra McDonald) and Best Orchestrations (William David Brohn).
The Actors Fund is a national human services organization that fosters stability and resiliency, and provides a safety net for performing arts and entertainment professionals over their lifespan. Through offices in New York, Los Angeles and Chicago, The Fund serves everyone in film, theater, television, music, opera, radio and dance with programs including social services and emergency financial assistance, health care and insurance counseling, housing, and secondary employment and training services. Visit actorsfund.org.
AUDRA MCDONALD is unparalleled in the breadth and versatility of her artistry as both a singer and an actor. The winner of a record-breaking six Tony Awards, two Grammy Awards®, and an Emmy Award®, she was named one of Time magazine’s 100 most influential people of 2015 and received a 2015 National Medal of Arts—America’s highest honor for achievement in the arts—from President Barack Obama. In addition to her Tony-winning performances in Carousel, Master Class, Ragtime, A Raisin in the Sun, The Gershwins’ Porgy and Bess, and Lady Day at Emerson’s Bar & Grill—the role that also served as the vehicle for her 2017 debut on London’s West End (2018 Olivier Award nomination)—she has appeared on Broadway in The Secret Garden, Marie Christine (Tony nomination), Henry IV, 110 in the Shade (Tony nomination), and Shuffle Along, or, The Making of the Musical Sensation of 1921 and All That Followed, and Frankie and Johnny in the Clair de Lune. The Juilliard-trained soprano’s opera credits include La voix humaine and Send at Houston Grand Opera, and Rise and Fall of the City of Mahagonny at Los Angeles Opera. On television, she was seen by millions as the Mother Abbess in NBC’s “The Sound of Music Live!” and played Dr. Naomi Bennett on ABC’s “Private Practice.” She won an Emmy Award for her role as host of PBS’s “Live From Lincoln Center” and has received nominations for Wit, A Raisin in the Sun, and Lady Day at Emerson’s Bar & Grill. Having first appeared as Liz Lawrence on CBS’s “The Good Wife,” she can now be seen on CBS All Access’s “The Good Fight,” which launches its fourth season in 2020. On film, she has appeared in Seven Servants, The Object of My Affection, Cradle Will Rock, It Runs in the Family, The Best Thief in the World, She Got Problems, Rampart, Ricki and the Flash, Disney’s live-action Beauty and the Beast, the movie-musical Hello Again, and MGM’s forthcoming Aretha Franklin biopic, Respect. McDonald has released five solo albums on the Nonesuch label and recently released a new recording, Sing Happy, with the New York Philharmonic on Decca Gold. She also maintains a major career as a concert artist, regularly appearing on the great stages of the world and with leading international orchestras. Of all her many roles, her favorites are the ones performed offstage: passionate advocate for equal rights and homeless youth, wife to actor Will Swenson, and mother.
BRIAN STOKES MITCHELL Dubbed “the last leading man” by The New York Times, Tony Award-winner Brian Stokes Mitchell has enjoyed a career that spans Broadway, television, film, and concert appearances with the country’s finest conductors and orchestras. He received Tony, Drama Desk, and Outer Critics Circle awards for his star turn in Kiss Me, Kate. He also gave Tony-nominated performances in Man of La Mancha, August Wilson’s King Hedley II and Ragtime. Other notable Broadway shows include Kiss of the Spider Woman, Jelly’s Last Jam, Women on the Verge of a Nervous Breakdown and Shuffle Along. In 2016 he was awarded his second Tony Award, the prestigious Isabelle Stevenson Tony for his charitable work with The Actors Fund. That same year Stokes was inducted into the Theatre Hall of Fame. An extremely versatile and in-demand singer, Stokes has performed at venues spanning jazz, opera, pops, country and musical theater worlds. He has worked with John Williams, Marvin Hamlisch, Gustavo Dudamel, Keith Lockhart, Michael Tilson Thomas, The Smithsonian Jazz Masterworks Big Band, The Mormon Tabernacle choir and the Muppets. Stokes has made multiple appearances at Carnegie Hall beginning with his debut with the San Francisco Symphony through his televised performance in South Pacific opposite Reba McEntire to his sold-out solo concert, which he continues to perform throughout the U.S. He has been invited twice to perform at the White House (both times aired on PBS’s Great Performances) and has performed multiple times for Presidents Clinton and Obama. Stokes has delved deeply into various music disciplines. In addition to singing, he began piano studies at the age of 6. A self-professed autodidact, his musical curiosity led him to teach himself composing, arranging and orchestration, starting in his teens. He later studied film scoring, orchestration and conducting both privately and through UCLA and subsequently scored and conducted a number of Trapper John, MD episodes, a series on which he was also a regular cast member. His musical talent has extended to the present day as producer, arranger and orchestrator on his three solo albums including his last recording, Simply Broadway and his newest recording Plays With Music, which just released this fall. Stokes has appeared on more than 20 albums. His extensive screen credits began with a guest starring role on Roots: The next Generations, followed by a 7-year stint on “Trapper John, MD” and have continued with memorable appearances on everything from PBS’s “Great Performances” to “The Fresh Prince of Bel Air”, “Frasier”, “Glee”, “Jumping the Broom” and his most recent recurring roles on “Madam Secretary”, “Mr. Robot”, “The Path”, “Billions” and “The Good Fight”. Other recent TV appearances include “The Blacklist”, “Elementary” and “Bull”. As a voice-over artist he has played dozens of characters on animated TV episodes including performing Through Heaven’s Eyes in Dreamwork’s The Prince of Egypt. As a writer Stokes has contributed to the book Hirschfeld’s Harlem, wrote the preface to At This Theatre and co-authored the children’s book Lights on Broadway. For fun he has been known to fly planes and jump out of them (usually not at the same time), and he can ride a bicycle on a high wire. Stokes has enjoyed working with numerous charitable organizations from the March of Dimes to the USO. He is on the board of Americans For the Arts and is serving his 14th term as Chairman of the Board of The Actors Fund.
PETER FRIEDMAN has been in the original New York productions of works by Wendy Wasserstein, Annie Baker, Amy Herzog, Max Posner, Greg Pierce, Jennifer Haley, Deborah Zoe Laufer, The Debate Society, Rachel Bonds, Lauren Yee, Will Eno, Michael Mitnick, Kim Rosenstock, Will Connolly, Gunnar Madsen, Joy Gregory, John Lang, Israel Horovitz, Susan Stroman, David Thompson, John Kander, Terrence McNally, Lynn Ahrens, Stephen Flaherty, and in NYC revivals of plays by Paddy Chayefsky, Reginald Rose, Donald Margulies, Chekhov, and Shakespeare. Film: The Savages, Safe. TV: “Brooklyn Bridge,” “The Muppet Show,” “High Maintenance,” “The Affair,” “The Path,” “Succession.”
TERRENCE MCNALLY has had a remarkably far-ranging career, including a new work on Broadway in each of the last six decades. In 2018 he was inducted into the American Academy of Arts and Letters. He is a 2019 recipient of a Special Tony Award for Lifetime Achievement. He has also received the Dramatists Guild Lifetime Achievement Award and the Lucille Lortel Lifetime Achievement Award. He has won four Tony Awards for his plays Love! Valour! Compassion! and Master Class and his musical books for Kiss of the Spider Woman and Ragtime. He has written a number of TV scripts, including “Andre’s Mother,” for which he won an Emmy Award. He has received two Guggenheim Fellowships, a Rockefeller Grant, four Drama Desk Awards, two Lucille Lortel Awards, two Obie Awards, and three Hull-Warriner Awards from the Dramatists Guild. In 1996, he was inducted into the Theater Hall of Fame. He wrote the libretto for the operas Great Scott and Dead Man Walking, both with music by Jake Heggie. Other plays include Mothers and Sons; Lips Together, Teeth Apart; The Lisbon Traviata; Frankie and Johnny in the Clair de Lune; A Perfect Ganesh; The Visit; The Full Monty; Corpus Christi; Bad Habits; Next; The Ritz; Anastasia; It’s Only a Play; Where Has Tommy Flowers Gone?; and The Stendhal Syndrome.
LYNN AHRENS & STEPHEN FLAHERTY have been called the foremost theatrical writing team of their generation. For Broadway’s Ragtime, they won Tony, Drama Desk and Outer Critics Circle Awards, and were nominated for two Academy Awards and two Golden Globes for Twentieth Century Fox’s animated feature Anastasia, which they also adapted for Broadway. Their musical Once On This Island won London’s Olivier Award for Best Musical and recently won the 2018 Tony Award for Best Revival of a Musical. Ahrens and Flaherty have received four Grammy nominations, the Oscar Hammerstein Award for Lifetime Achievement, and in 2015 were inducted into the Theater Hall of Fame. Additional Broadway and off-Broadway credits include: Seussical; Rocky; My Favorite Year; Chita Rivera: The Dancer’s Life; Lincoln Center Theater’s Dessa Rose; A Man of No Importance and The Glorious Ones; Lucky Stiff; Marie; and Knoxville. Individually, Ms. Ahrens wrote book and lyrics for Madison Square Garden’s ten-year run of “A Christmas Carol.” She is an Emmy Award winner and four-time Emmy nominee, a Lilly Award recipient and a mainstay songwriter for “Schoolhouse Rock” (ABC-TV). Mr. Flaherty composed the score of the new dance play In Your Arms (Old Globe), incidental music for Neil Simon’s Proposals (Broadway) and the score for Loving Repeating: A Musical Of Gertrude Stein (Joseph Jefferson Award, Best New Musical.) They are Council members of the Dramatists Guild of America and co-founders of the Dramatists Guild Fellows Program for Emerging Writers. www.ahrensandflaherty.com
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