VASSAR & NEW YORK STAGE AND FILM’S 2017 POWERHOUSE SEASON ANNOUNCES FIRST WAVE OF CASTING AND ADDED PROGRAMMING
Rick Miramontez / Scott Braun / Michael Jorgensen
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FOR IMMEDIATE RELEASE, PLEASE
FIRST WAVE OF CASTING AND
ADDED PROGRAMMING ANNOUNCED FOR
VASSAR & NEW YORK STAGE AND FILM’S
2017 POWERHOUSE SEASON
MICHAEL CHERNUS, ABIGAIL SPENCER, JOE DIPIETRO,
CHRISTOPHER ASHLEY, DAVE THOMAS BROWN,
KRYSTA RODRIGUEZ, GEORGE SALAZAR, DALE SOULES AND MORE
HEADED TO POUGHKEEPSIE THIS SUMMER
NEW PRINCESS DIANA MUSICAL ADDED TO THE LINEUP
New York, NY (June 7, 2017) –Vassar & New York Stage and Film have announced initial casting for the first mainstage and first musical workshop productions of the 33rd Powerhouse Season in Poughkeepsie, NY, running from June 23 through July 30, 2017:
The cast of Powerhouse alum and “How I Met Your Mother” star Josh Radnor’s playwriting premiere Sacred Valley will include TV regulars Michael Chernus (“Orange Is The New Black”), Abigail Spencer (“Rectify,” “Timeless”), and David T. Patterson (“The Path”). The first mainstage play will be directed by Sheryl Kaller, and will play the Powerhouse Theater from June 29 – July 9, 2017.
Powerhouse’s first musical workshop, Stilyagi, featuring lyrics by Lisa Kron (Fun Home), music by Peter Lerman (Brooklynite), and direction by Michael Mayer (Spring Awakening, American Idiot), will include cast members Krysta Rodriguez (Spring Awakening, “Smash”), Dave Thomas Brown (American Psycho), Lauren Patten (seen last season in Powerhouse’s smash hit The Wolves), Dale Soules (“Orange Is The New Black”), Jeb Brown (Beautiful: The Carole King Musical), George Salazar (The Lightning Thief), Alex Boniello (Spring Awakening), Joel Perez (Fun Home), Sarah Hunt, Maria Louissant, Chelsea Turbin, Megan Masako Haley, Karl Josef Co, Daniel Jackson, Thomas Hettrick, in addition to lyricist Lisa Kron who will also be performing in the workshop. The first musical workshop will play the Martel Theater at the Vogelstein Center from Drama and Film from June 23-25, 2017.
Vassar & New York Stage and Film’s Powerhouse Theater casting by Telsey + Company / Will Cantler, CSA; Karyn Casl, CSA.
New to the Play Workshop series: The Homecoming Queen, by Powerhouse Founders Award recipient Ngozi Anyanwu. A bestselling novelist returns to Nigeria to care for her ailing father, but before she can bury him, she must relearn the traditions she’s long forgotten. Having been absent for over a decade, she must collide with her culture, traumatic past, painful regrets, and the deep, deep love she thought she could never have. (The Homecoming Queen replaces the previously announced presentation of the play Hang Man, which has been postponed indefinitely because of scheduling conflicts. Tickets to Hang Man will be honored for the same performance time and seat location for the run of The Homecoming Queen.)
Three new projects to the annual Readings Festival include: Diana, a new musical about Princess Diana by the creative team behind Memphis (book & lyrics by Joe DiPietro, music & lyrics by David Bryan, direction by Christopher Ashley); One Good Egg by Annie Evans, directed by Melia Bensussen; and The Fit by Carey Perloff, directed by Daniel Aukin.
Additional casting of the 2017 Powerhouse season will be announced shortly. For tickets and more information on the season, visit Powerhouse.Vassar.edu
Vassar & New York Stage and Film’s Powerhouse collaboration continues to be the launching pad for some of the most groundbreaking new works for the American theater, with countless productions in New York City, regionally and internationally. Notably, Lin-Manuel Miranda’s Hamilton and Stephen Karam’s The Humans—the reigning Tony® winners for Best Musical and Best Play, respectively—received early development at Powerhouse. Most recently, during its 32nd Season last summer, Powerhouse presented first-look productions of two daring new works that were just named finalists for the 2017 Pulitzer Prize for Drama: Sarah DeLappe’s The Wolves, which moved directly from its Powerhouse premiere to a recent celebrated run at The Playwrights Realm in NYC; and Taylor Mac’s A 24-Decade History of Popular Music. Among 30 other projects developed recently at Powerhouse with new or upcoming major productions: Richard Greenberg’s The Babylon Line at Lincoln Center Theater; The Light Years at Playwrights Horizons; Ayad Akhtar’s Junk at Lincoln Center Theater; and Anna Ziegler’s The Last Match at the Roundabout Theatre Company.
The upcoming 33rd Powerhouse Season will feature two mainstage productions in the Powerhouse Theater:
Sacred Valley (June 29 – July 9)
by Josh Radnor
directed by Sheryl Kaller
Narby and Natalie can’t remember a time when they weren’t friends. But their seemingly rock-solid friendship is upended when Narby takes Natalie’s husband Brian out for his first mushroom trip. The next day, a confused Brian leaves Natalie, an enraged Natalie blames Narby, and three people are forced to ask themselves the deepest questions about love, friendship, and growing up in this bittersweet comedy from Josh Radnor (Liberal Arts, “How I Met your Mother,” Powerhouse’s The Babylon Line).
Good Men Wanted (July 20 – July 30)
by Kevin Armento
directed by Jaki Bradley
choreographed by Ani Taj
Good Men Wanted brings to life the incredible true stories of renegade women who disguised themselves as men to fight in the Civil War. In a searing drama punctuated by explosive dance sequences set to contemporary pop music, five women of vastly different backgrounds become warriors and spies, endure prison camps and midnight raids, and ultimately intersect at America’s most storied battlefield, Gettysburg. These unsung heroes circumvented the limitations of their time, with a boldness that speaks loudly to our own.
The musical workshop presentations, presented in the Vogelstein Center for Drama & Film, will include three exciting new projects:
Stilyagi (June 23-25)
lyrics by Lisa Kron
music by Peter Lerman
Based on the motion picture The Hipsters, produced by Red Arrow Films
directed by Michael Mayer
“This is musical about me, Mels Yefimovich Vasnetsov, about difficult time in my life when I was young (hard to believe) and good looking (harder to believe) in no-longer-existing world of 1950s Moscow, when I was pulled from promising future in Komosomol Leninist Youth Brigade by beautiful, corrupt and dissipated Stilyaga girl by name of Polly, who ruined my life in best and worst possible manner, which, to this day, I am not reconciling. Obviously, this is complicated Soviet story, not fit subject for frivolous American musical. But they ask for blurb so here is blurb so if you are interested, please, I invite you, come. But if you ask me this is terrible idea.”
This Ain’t No Disco (June 30 – July 2)
music and lyrics by Stephen Trask & Peter Yanowitz
book by Rick Elice
directed by Trip Cullman
Set against the garbage strikes, the grit, the graffiti of NYC 1979, This Ain’t No Disco tells the story of drifters and dreamers who search for their place in the night world of Studio 54 and the Mudd Club. Ultimately, it’s about finding community and purpose in a city where one’s fate can turn on a dime bag, where every few steps gives you a chance to pick a new direction, to take a new path. From the creator of Hedwig and the Angry Inch and the director of Six Degrees of Separation.
The Secret Life of Bees (July 27-29)
book by Lynn Nottage
music by Duncan Sheik
lyrics by Susan Birkenhead
based on the novel by Sue Monk Kidd
directed by Sam Gold
It’s 1964 in South Carolina, and restless white teenager Lily Owens wrestles with her controlling father and a haunting memory of her dead mother. When Rosaleen, her Black caretaker, is beaten and jailed for attempting to vote, Lily’s rebellious spirit is awakened and she and Rosaleen escape their circumstances on an adventure, to find the truth about her mother’s death. One portentous clue leads them to a colorful bee farm run by three eccentric and spiritual Black sisters, whose wisdom, warmth and motherly love help both Lily and Rosaleen grow and heal. Written by two time Pulitzer Prize winning playwright Lynn Nottage, lyrics by Tony and Drama Desk nominee Susan Birkenhead, composed by Tony Winner Duncan Sheik, and directed by Tony winner Sam Gold.
This summer’s ‘Inside Look’ Workshops to be presented in the Susan Stein Shiva Theater are:
The Great Leap (July 7-9)
by Lauren Yee
directed by Will Davis
San Francisco, spring 1989. Manford Lum, locally renowned on the sidewalk basketball courts of Chinatown, talks his way onto a college team, just before they travel to Beijing for a “friendship” game. His background is a mystery, but he can sink 100 free throws in a row, so who cares? When they arrive, China is in the throes of the post-Cultural Revolution era, and Manford must juggle international politics and his own personal history. There’s more at stake on the court than just who wins or loses. Inspired by events from the life (and short-lived basketball career) of playwright Lauren Yee’s father.
The Homecoming Queen (July 28-30)
by Ngozi Anyanwu
directed by Awoye Timpo
A bestselling novelist returns to Nigeria to care for her ailing father, but before she can bury him, she must relearn the traditions she’s long forgotten. Having been absent for over a decade, she must collide with her culture, traumatic past, painful regrets, and the deep, deep love she thought she could never have.
The annual Readings Festival, split between two weekends (June 23-25 and July 21-23), will include: Amy and the Orphans by Lindsey Ferrentino, directed by Scott Ellis; Little Orphan Danny, with book, music, and lyrics by Dan Finnerty, directed by Sean Daniels; Ironweed by William Kennedy and Jodie Markell, based on the novel by William Kennedy, directed by Jodie Markell; Paris, Actors by Hamish Linklater; Serious Moonlight by Adrienne Shelly, co-adapted by Liz Tuccillo and Andy Ostroy; Jane Says by Diana Son; and Kid Prince and Pablo by Brian Quijada.
Members of the noted Powerhouse Theater Training Program will present reimaginings of William Shakespeare’s Hamlet (July 14-16) adapted and directed by Emily Mendelsohn and Cymbeline (July 21-23) adapted and directed by Andrew Willis-Woodward. Members of the Training Company will continue Soundpainting (July 6, 13, 20, 27), a series of improvisational performances featuring music, dance, and acting in a dynamic and unique type of ensemble performance; as well as Workshop Performances of 12 Ophelias (a play with broken songs) (July 23-24) by Caridad Svich, directed by Heidi Handelsman; One Act Plays Festival (July 26); and Not, Not, Not, Not, Not Enough Oxygen (July 28) by Caryl Churchill. Young actors, playwrights, and directors from around the country and internationally, along with an exceptional faculty of artists, comprise this important component of the Powerhouse artistic community.
Now in its 33rd year, Powerhouse Theater is a collaboration between New York Stage and Film and Vassar College dedicated to both emerging and established artists in the development and production of new works for theater and film. The Powerhouse program consists of an eight-week residency on the Vassar campus during which more than 300 professional artists and 40 participants in the Powerhouse Training Program live and work together to create new theater works. In 2016, three productions that trace their developmental roots to Powerhouse ran simultaneously on Broadway – Hamilton, Bright Star, and The Humans – and in the 2016/17 theater season, ten projects premiered in New York City that had been developed and presented at Powerhouse: The Wolves (Playwrights Realm); The Babylon Line (Lincoln Center Theater); Rancho Viejo, The Light Years, and The Profane (Playwrights Horizons); Marry Harry (The York Theater); Nollywood Dreams (Cherry Lane Theater); The View Upstairs (Lynn Redgrave Theater); The Mother of Invention (Abingdon Theatre Company); and Taylor Mac’s epic A 24- Decade History of Popular Music (St. Ann’s Warehouse). Later this year, they will be joined by Ayad Akhtar’s Junk (Lincoln Center Theater on Broadway) and Anna Ziegler’s The Last Match (Roundabout Theatre). Other projects developed at the Powerhouse include the Tony Award-winning Side Man and Tru; the multi-award-winning Doubt by John Patrick Shanley; the groundbreaking Broadway musical American Idiot; and A Steady Rain.
New York Stage and Film (Johanna Pfaelzer, Artistic Director; Thomas Pearson, Executive Director; Mark Linn-Baker, Max Mayer, Leslie Urdang, Producing Directors) is a not-for-profit company dedicated to both emerging and established artists in the development of new works for theater and film. Since 1985 New York Stage and Film has played a significant role in the development of new plays, provided a home for a diverse group of artists free from critical and commercial pressures, and established itself as a vital cultural institution for residents of the Hudson Valley and the New York metropolitan region www.newyorkstageandfilm.org.
Vassar College (Ed Cheetham, Michael Sheehan, Producing Directors) is a highly selective, coeducational, independent, residential, liberal arts college founded in 1861. Consistently ranked as one of the country’s best liberal arts colleges, Vassar is renowned for its long history of curricular innovation, and for the natural and architectural beauty of its campus. More than 50 academic departments and degree programs — from Anthropology to Cognitive Sciences to Urban Studies — encompass the arts, foreign languages, natural sciences, and social sciences, and combine to offer a curriculum of more than 1,000 courses. Vassar College is sited in New York’s beautiful Hudson Valley in Poughkeepsie, NY. www.vassar.edu
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